I would agree that Katsura is a great character. The story of Dr. Mafune and Katsura makes this film and helps raise it above a typical monster battle movie.GodzillavsJason wrote:Personally Katsura is the best human character since Daisuke Serizawa. Particurally because she fits the whole tragic persona of what the original was meant to be hence why I think Terror is the perfect finale of the showa. Since everything comes full circle.
Talkback: Terror of Mechagodzilla (1975)
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Re: Talkback: Terror of Mechagodzilla (1975)
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Re: Talkback: Terror of Mechagodzilla (1975)
The two of them are key to the elegiac tone of the whole movie, and they in turn lend much greater depth to the characterization of Titanosaurus. The movie ends up being a tragedy in both its human drama and its monster action.Piccolo wrote:I would agree that Katsura is a great character. In a way her and her father's story make this film and help raise it above a typical monster battle movie.GodzillavsJason wrote:Personally Katsura is the best human character since Daisuke Serizawa. Particurally because she fits the whole tragic persona of what the original was meant to be hence why I think Terror is the perfect finale of the showa. Since everything comes full circle.
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Re: Talkback: Terror of Mechagodzilla (1975)
That's probably why I consider TOMG the better movie over MechaGodzilla (though I find Mechagodzilla more rewatchable and "fun") - the Titanosaurus subplot * is ultimately better executed than the King Caesar subplot. There's a genuine dramatic parallel between Katsura's and Titanosaurus's imprisonment whereas with King Caesar most of the drama centers around the shifting possession of a statue.eabaker wrote:The two of them are key to the elegiac tone of the whole movie, and they in turn lend much greater depth to the characterization of Titanosaurus. The movie ends up being a tragedy in both its human drama and its monster action.Piccolo wrote:I would agree that Katsura is a great character. In a way her and her father's story make this film and help raise it above a typical monster battle movie.GodzillavsJason wrote:Personally Katsura is the best human character since Daisuke Serizawa. Particurally because she fits the whole tragic persona of what the original was meant to be hence why I think Terror is the perfect finale of the showa. Since everything comes full circle.
* If you can call it that, I'd actually argue Titanosaurus drives the movie more than either Godzilla or Mechagodzilla.
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Re: Talkback: Terror of Mechagodzilla (1975)
Seeing as Titanosaurus sees much more action, yes. But on topic, both monster and girl have the same tragic tale; Their lives stolen and turned into pawns. I'd also say Dr. Mafune has a little drama himself. As things go on, it finally dawns on him what his obsession and hate have costs him. He loses the one thing he cares about most, and ironically, to satisfy his desire for MG to have a live brain.
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Re: Talkback: Terror of Mechagodzilla (1975)
The drama in this movie makes it better as the 'finale', as it's the first movie in the series to have drama on or close to the same level as Gojira since Gojira. Kind of ties the two together.
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Re: Talkback: Terror of Mechagodzilla (1975)
I think tonally it's a great finale for the series, but the fact that, as pointed out above, it's more a Titanosaurus movie than a Godzilla movie puts a weird spin on it. It's almost like the series has to acknowledge, "The world has changed, and the superhero Godzilla of the last few years just isn't the story we need anymore."Mechagigan wrote:The drama in this movie makes it better as the 'finale', as it's the first movie in the series to have drama on or close to the same level as Gojira since Gojira. Kind of ties the two together.
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Re: Talkback: Terror of Mechagodzilla (1975)
The Titanosaurus thing is a fair point, but this was a thing since probably Invasion of the Astro-Monster. Godzilla was always the one saving the day, but wasn't the main monster of majority of his Showa movies, despite being in the titles of them (exceptions being Destroy All Monsters and maybe Godzilla vs. Gigan).eabaker wrote:I think tonally it's a great finale for the series, but the fact that, as pointed out above, it's more a Titanosaurus movie than a Godzilla movie puts a weird spin on it. It's almost like the series has to acknowledge, "The world has changed, and the superhero Godzilla of the last few years just isn't the story we need anymore."
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Re: Talkback: Terror of Mechagodzilla (1975)
But it's not just that the plot is motivated by the villains here (as it almost always must be), it's that we don't have the usual sense of anticipation around Godzilla's arrival. Most of those movies are about a monster which Godzilla must defeat; the emphasis is on them in order to build them up as threats to be overcome. Here, there is no thread of, "Godzilla will come to save the day." Godzilla is a narrative convenience or even obligation here, but he's not an element on which we can depend.Israha wrote:The Titanosaurus thing is a fair point, but this was a thing since probably Invasion of the Astro-Monster. Godzilla was always the one saving the day, but wasn't the main monster of majority of his Showa movies, despite being in the titles of them (exceptions being Destroy All Monsters and maybe Godzilla vs. Gigan).eabaker wrote:I think tonally it's a great finale for the series, but the fact that, as pointed out above, it's more a Titanosaurus movie than a Godzilla movie puts a weird spin on it. It's almost like the series has to acknowledge, "The world has changed, and the superhero Godzilla of the last few years just isn't the story we need anymore."
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Re: Talkback: Terror of Mechagodzilla (1975)
Well, that's completely true, you got me on that one. I was thinking, as a viewer: "Of course Godzilla is coming to save the day", but him doing so is never actually mentioned in the movie until he arrives. Point taken.eabaker wrote: But it's not just that the plot is motivated by the villains here (as it almost always must be), it's that we don't have the usual sense of anticipation around Godzilla's arrival. Most of those movies are about a monster which Godzilla must defeat; the emphasis is on them in order to build them up as threats to be overcome. Here, there is no thread of, "Godzilla will come to save the day." Godzilla is a narrative convenience or even obligation here, but he's not an element on which we can depend.
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Re: Talkback: Terror of Mechagodzilla (1975)
Godzilla's arrival is quite abrupt, but it made things easier for the screen writers. Rather than having to come up with clever ways to introduce Godzilla, they can have him show up and focus more on other plot points.
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Re: Talkback: Terror of Mechagodzilla (1975)
The German dub inserts some references to Godzilla over a PA during the Cafe scene IIRC.
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Re: Talkback: Terror of Mechagodzilla (1975)
The common American version has the whole Godzilla backstory in the intro, too, so that kind of builds him up.
About that whole introduction, despite how it's not really accurate, I like it. Again, it adds to the last installment-ness. Actually, I think the whole dub is pretty good (though I haven't seen it in a while, so I could be remembering wrong).
About that whole introduction, despite how it's not really accurate, I like it. Again, it adds to the last installment-ness. Actually, I think the whole dub is pretty good (though I haven't seen it in a while, so I could be remembering wrong).
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Re: Talkback: Terror of Mechagodzilla (1975)
Wasn't it the intention of the aliens to draw Godzilla out and weaken him using Titanosaurus? If I remember correctly, they had little regard for Titanosaurus and only wanted to remove the one true obstacle (Godzilla) in their way. The introduction added to the American version better established Godzilla's presence as the hero. And while I'm fond of said introduction, some new footage would have been much appreciated.
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Re: Talkback: Terror of Mechagodzilla (1975)
I like the american intro, but I would have prefered it if they used footage from one of the early films like 1954 or 1962 to show Godzilla's rampage, then showed the 75 suit with new footage to show Godzilla as a hero instead of using stock footage from Astro Monster and Son of Godzilla, since those are different suits and films entirely. At least they could've shown more from vs Mechagodzilla while keeping the intro credits.
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Re: Talkback: Terror of Mechagodzilla (1975)
They couldn't have shown footage from any other films, since Monster Zero and Revenge were the only other Godzilla films UPA owned.
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Re: Talkback: Terror of Mechagodzilla (1975)
The prologue is laughable and should remain as a supplemental curiosity instead of part of the main film. Doesn't help that all presentations of the UPA TV version suck to some degree.
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Re: Talkback: Terror of Mechagodzilla (1975)
Something along the lines of this?Godzilla Lover101 wrote:I like the american intro, but I would have prefered it if they used footage from one of the early films like 1954 or 1962 to show Godzilla's rampage, then showed the 75 suit with new footage to show Godzilla as a hero instead of using stock footage from Astro Monster and Son of Godzilla, since those are different suits and films entirely. At least they could've shown more from vs Mechagodzilla while keeping the intro credits.
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Re: Talkback: Terror of Mechagodzilla (1975)
I first saw the dialogue opening this year, and I find the musical montage I've watched before much better.
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Re: Talkback: Terror of Mechagodzilla (1975)
Opinions aside, definitely. It doesn't match the movie that well (as in, the movie doesn't need it), and it's inaccurate anyways.Space Hunter M wrote:The prologue is laughable and should remain as a supplemental curiosity instead of part of the main film. Doesn't help that all presentations of the UPA TV version suck to some degree.
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Re: Talkback: Terror of Mechagodzilla (1975)
While I haven't seen it in a minute, I don't remember it being that inaccurate. It's very much simplified version of Godzilla's path to becoming a hero.Mechagigan wrote:Opinions aside, definitely. It doesn't match the movie that well (as in, the movie doesn't need it), and it's inaccurate anyways.Space Hunter M wrote:The prologue is laughable and should remain as a supplemental curiosity instead of part of the main film. Doesn't help that all presentations of the UPA TV version suck to some degree.