|

Article: 4.0
Date: 8/12/04
Living
proof that imitation is the most sincere form of flattery, comes
a collection of films, done outside of Japan, which were heavily
influenced by Toho produced, and distributed, movies. As expected,
Akira Kurosawa's
movies are easily the most influential films to have come out of
Toho, or Japan for that matter, and their impact is reflected below.
However, in more recent years, there has been a outreach to pay
homage to other films to have gone through Toho by different directors.
As a general note, GODZILLA
(1998) is not listed in this section, as that particular film is
featured on the site.
 |
Magnificent Seven (1960)
|
| John Sturges' western picture about seven gunfighters
who are hired to protect a Mexican village from their bandit
oppressors. The film is the first, of many, to take their own
swing at Kurosawa's
Seven
Samurai (1954) moving the story to a western setting,
which would become a very popular trend in adapting Kurosawa's
work. The film does credit its source material, though, listing:
"This picture is based on the Japanese film Seven Samurai,
Toho Company, Ltd." Magnificent Seven starred Yul
Brynner in Takashi
Shimura's role, and has Horst Buchholz playing a hybrid
of Toshiro
Mifune's role and Isao Kimura's role. The film was followed
up in 1966 with Return of the Magnificent Seven. |
 |
A Fistful of Dollars (1964)
|
| Sergio Leone's first entry in his "Dollars
Trilogy" comes this Italian remake of Kurosawa's
Yojimbo
(1961) starring Clint Eastwood in Mifune's
role. The film is set in the old west with the "Man With
No Name", the story's mercenary protagonist, going up against
two rival gangs, who he pits against each other. The film keeps
the slightly humorist approach to the story, that was a trademark
of Yojimbo.
At the time, though, the film really redefined the western genre
as it removed some clichés, such as Indians as the antagonists,
and was more violent than films of the same genre before it.
The film was followed up in 1965 with For a Few Dollars More.
|
 |
Star Wars (1977)
|
| Without question, the most famous film which
was inspired from a Toho movie. George Lucas' Star Wars
follows the basic principles of The
Hidden Fortress (1958). The movie is told from the perspective
of two droids, R2-D2 and C-3PO who are obviously playing out
the roles of the two thieves in The
Hidden Fortress, with the first twenty minutes of Star
Wars being remarkably similar to the same scenes in Kurosawa's
1958 film. Star Wars shares numerous similar plot points
with its inspiration as well, including Obi-Wan (playing Mifune's
role, more or less) attempting to escort the princess to safety.
Star Wars is a rather large deviation from the source
material, though, with numerous twists and characters added
in. The film was followed up in 1980 with The Empire Strikes
Back. |
 |
Last Man Standing (1996)
|
| This mid 1990's offering by Walter Hill is a
different take on Kurosawa's
masterpiece Yojimbo.
This Bruce Willis vehicle moves the story to a western setting
with a mercenary getting caught between the conflict of local
Italian and Irish gangs. This film is a little more faithful
to the source, Dashiell Hammett's The Red Harvest, than
Kurosawa
was, but still borrows more from Yojimbo
than anything else. The film has Bruce Willis in Mifune's
role and Christopher Walken in Tatsuya
Nakadai's role. |
 |
A Bug's Life (1998)
|
| The Disney/Pixar production which is a gross
reenvisioning of Seven
Samurai (1954). The movie places ants in the role of
the peasants, with a group of grasshoppers as the film's bandit
antagonists. This time around, a group of eight circus performers
are hired to get rid the colony of bandits. The film has a ultimately
different climax, compared with the source material, with none
of the cast dying. Furthermore, the film's characters are rather
large deviations from the characters in Seven
Samurai (1954). |
 |
The Ring (2002)
|
| Gore Verbinski's remake of the 1998 film The
Ring. Like its Japanese counterpart, The Ring
focuses on a cursed tape which will kill those who watch it
seven days later. The film is, more or less, a direct remake
with several scenes added in to explain the origin of the film's
antagonist, Samara (instead of Sadako) in this version, adding
a lot of back story that wasn't in the 1998 offering. The film's
2004 sequel, The Ring 2, is directed by Hideo Nakata,
the director behind the 1998 film. |
 |
Kill Bill: Volume 1 (2003)
|
| Quentin Tarantino's, largely different, take
on the 1973 film Lady
Snowblood. It would be unfair to credit Lady
Snowblood full heartily for Kill Bill, as the
series is really a homage to so many different sources along
with Tarantino's vastly different take on the subject as well;
however, it would not be unfair to credit Lady
Snowblood as the prime inspiration. To put it bluntly,
Kill Bill merges the role of Yuki Shurayuki and her mother
into one, and adds one member to the roster of murderers. Kill
Bill still keeps the chapter story approach, along with
several shots (such as when the murders are peering down at
the defeated Mother/Bride) and keeps the main title theme of
Lady
Snowblood (Flower of Carnage by Masaaki Hirao).
As a bit of side trivia, a model set from Godzilla,
Mothra and King Ghidorah: Giant Monsters All-Out Attack
(2001) was used for the landing into Japan in the movie. The
film was followed up in 2004 with Kill Bill: Volume 2. |
|