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Article: 7
Date:
5/18/08
Year:
1965

Invasion of Astro-Monster (1965)

 Company: Paramount Home Video (1988)
 Country: United States
 Category: Slip Cover

The front features a publicity still of the actual Godzilla and King Ghidorah suits from this movie. The author of the synopsis goes by the common interpretation that the film takes place in the future, and he/she also refers to the title as being a "trip" (although personally, I think the writer of the summary was taking a trip on something of which I want no part). The effects are dubbed as "dated" and "kitsch" (who uses that word?!?). And, of course, Nick Adams is the only hero in this film that can stop the monsters from feasting on human flesh (poor Akira Takarada). The writer of this summary obviously never saw the film.
Credit: Brandon Lusk

Invasion of Astro-Monster (1965)

 Company: Paramount/Gateway (1994)
 Country: United States
 Category: Slip Cover

Much like other Paramount releases, this box art is extremely nice... that is, if you forget about the badly-drawn, pink Rodan in the background. Also, ignore the fact that there are two people on the cover who aren’t even in the film (note Kenji Sahara and Yumi Shirakawa from Rodan [1956]). The back of the slip cover is somewhat bland as it includes a basic white background, one still from the movie, and a huge red circle with the synopsis of the film. The synopsis is weird in itself as it sounds like a personal review of the movie as opposed to an unbiased summary. Quotes like “In this classic, you’ll see effects so dated, so kitsch they couldn’t call them special” or "Ferocious Monsters that fly, breathe fire and feast on human flesh” would probably make any fan raise their eyebrow in wonder. What could this person have possibly been thinking?
Credit: Fredrex00

Invasion of Astro-Monster (1965)
 Company: Simitar Entertainment, Inc. (1998)
 Country: United States
 Category: Slip Cover
Another of Simitar’s 1998 Godzilla releases. Invasion of Astro-Monster (1965) features similarly poor artwork to the rest of the releases, with the generic Godzilla (which is gray instead of green this time around), and an oddly Heisei-looking King Ghidorah. As with the Mothra vs. Godzilla (1964) release, this box has a sticker saying it has Godzilla’s Stomp of Approval. The sides of the case differ similarly to the Mothra vs. Godzilla (1964) release as well, with a picture of Godzilla on the left side and a picture of Godzilla’s opponent (King Ghidorah in this case) on the right side, both taken from the cover art. The back side has three small screenshots from the film and a synopsis. The synopsis is mostly accurate, though King Ghidorah is simply referred to as “Ghidra”.
Credit: Inferno Rodan

Invasion of Astro-Monster (1965)
 Company: Simitar Entertainment, Inc. (1998)
 Country: United States
 Category: Slip Cover
 - DIGITALLY REMASTERED EDITION -
This is the 1998 Simitar SP VHS release of Invasion of Astro-Monster (1965). The front features a far more dinosaurian rendition of Godzilla facing off against a rather uniquely illustrated, fearsome-as-ever Monster Zero. This artwork continues onto both the left and right spine, while the back features a greenish, textured background (that doesn't exist on the EP release). This version also includes a "Video Art Gallery" and "Godzilla Trailer Collection" (a universal staple among the "Digitally Remastered" Simitar releases).
Credit: Michael Calhoun

Invasion of Astro-Monster (1965)

 Company: Filmax Home Video (1998)
 Country: Spain
 Category: Clam Shell

Filmax's cover for their Invasion of Astro-Monster (1965) release uses a memorable production still that depicts the epic battle on Planet X. Godzilla is colored green, although he is not as saturated as in many of the US covers for his films. For some reason, the pupils on Ghidorah's eyes have been removed, making the 3-headed monster look like some sort of spectre. A tagline hails the film as "A sensational cross beetween Kaiju Eiga and Sci-fi"; quite redundant, considering most monster movies are already classified as sci-fi. As usual with Filmax; the back cover provides a rather vague synopsis, some stills, a theatrical poster of the movie, and the full credits. Again, this is a solid tape that is only hurt by the dubbing.
Credit: Hank Xavier